Wednesday, January 12, 2011

ASHES & SNOW: Gregory Colbert

Born in Toronto, Canada in 1960, Gregory Colbert is a film-maker and photographer best known as the creator of Ashes and Snow, an exhibition of photographic artworks and films housed in the Nomadic Museum.
Gregory Colbert's first exhibition, Timewaves, opened in 1992 at the Museum of Elysée in Switzerland to wide critical acclaim. For the next ten years, Colbert did not publicly exhibit his art or show any films. Instead, he traveled to such places as India, Burma, Sri Lanka, Egypt, Dominica, Ethiopia, Kenya, Tonga, Namibia, and Antarctica to film and photograph interactions between human beings and animals. Since 1992, he has launched more than sixty such expeditions, and has collaborated with over 130 species. Elephants, whales, manatees, sacred ibis, Antigone cranes, royal eagles, Gyr falcons, rhinoceros hornbills, cheetahs, leopards,African wild dogs, caracals, baboons, eland, meerkats, gibbons, orangutans, and saltwater crocodiles are among the animals he has filmed and photographed. Human subjects include Burmese monks, trance dancers, San people, and other indigenous tribes from around the world.
In 2002, Colbert presented his work, Ashes and Snow, in Venice, Italy. An April 9, 2002 review in The Globe and Mail stated, “Colbert unveiledAshes and Snow, an exhibition of images and photographs unprecedented in both scope and scale. Covering 12,600 square meters, it is billed as one of the largest one-man shows in the history of Europe.”
In spring 2005, the show opened in New York City in the Nomadic Museum, a temporary structure built to house the exhibition. Ashes and Snow and the Nomadic Museum then traveled to Santa Monica in 2006, Tokyo in 2007, and Mexico City in 2008. To date, Ashes and Snow has attracted over 10 million visitors, making it the most attended exhibition by a living artist in history.
Ashes and Snow has been a critical and popular success. Photo magazine declared, “A new master is born.”  Ashes and Snow has been described as "extraordinary" by the Economist, and "distinctive . . . monumental in every sense" by the Wall Street Journal. Stern magazine declared that the photographs are "fascinating," and Vanity Fair described Gregory Colbert as "Best of the Best." An article in 2002 in the New York Times by Alan Riding stated “The power of the images comes less from their formal beauty than from the way they envelop the viewer in their mood. . . .They are simply windows to a world in which silence and patience govern time.”
Colbert began his career in Paris in 1983 making documentary films on social issues. His documentary, On the Brink-An AIDS chronicle, was filmed in nine countries, and was nominated for an ACE award in 1985 in the category of best documentary. Other film projects include Last Words and Finding a Way Home. Film-making led to fine arts photography.
 Gregory Colbert has been the recipient of a number of awards and distinctions. In 2006 he was awarded the "Best Curator of the Year" at the Lucie Awards. In 2007, his film,Ashes and Snow was nominated for a special prize at the Venice Film festival. Most recently, he was named the honorary ambassador of culture and tourism to Mexico. 
The Nomadic Museum, the traveling home of Ashes and Snow, is charted to travel theglobe with no final destination.

Thursday, January 6, 2011

HERO of the ENVIRONMENT : Yann Arthus-Bertrand

Photographer Yann Arthus Bertrand

Sometimes it takes a little distance to see the big picture. Soaring high above the earth, Yann Arthus-Bertrand takes aerial photographs that offer an intoxicating perspective on our world. Seas and cities, deserts and deltas, mountains and marshes — they all seem to bloom majestically, revealing colors, hidden textures and the mesmerizing patterns of nature.
But the photographs also act as something of a visual ecology lesson, carrying within them an implicit — or even sometimes very obvious — warning: our planet is fragile and threatened by ominous forces. To overcome pollution, deforestation and climate change, explains Frenchman Arthus-Bertrand, will require concerted action from we humans, the ones looking down on all this.
Arthus-Bertrand, 63, began shooting from the sky three decades ago. His first photographs, of the lions he was studying in Kenya's Masai Mara National Reserve, were taken from hot-air balloons. He also uses light aircraft and helicopters. His UNESCO-backed "Earth from Above" project has been seen by more than 120 million people as a touring exhibition; as a lavish coffee-table book it has sold more than 3 million copies in 24 different languages.
This year his movie Home carries his message even wider. Shot in 54 countries, it was shown mostly free of charge around the world, in open-air screenings as well as in theaters, and on TV, DVD and the Internet. Arthus-Bertrand estimates some 200 million people have already seen the film, which merges images from above with a cautionary essay about mankind's treatment of its environment. "I try to show our impact on our planet," he says. "From the air, you can see the earth's wounds."
Many are new traumas, like the outflows of waste from tar-sand extraction in Canada, toxic landfills in Dakar, Senegal, or the passage of an icebreaker through dappled, melting Arctic floes. Arthus-Bertrand rages at the desecration — and those who deny it is happening. "We don't realize the incredible imprint of man," he says. "Sure, life is good now. But we are exhausting our resources. There's not enough fish, not enough wood, not enough land. We have to do better with less."
'I don't want to give just one tip, because that could make you close your mind. But we have to live with less. Less food, less meat, less fuel, less shopping.' — Yann Arthus-Bertrand